
The Ambridge Socialist. Flett on the Grundys: ‘shamelessly partisan’
Below is a review in the Times Literary Supplement of the new Academic Archers collection, Flapjacks and Feudalism. I’m pleased to see that the reviewer suggests that in my opening chapter on the Grundys and the class struggle in Ambridge I am being ‘shamelessly partisan’. It is a badge of honour. Clearly the book is an essential addition to any genuine socialists collection
July 30, 2021
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IN THIS REVIEW
FLAPJACKS AND FEUDALISM
Social mobility and class in ‘The Archers’
348pp. Emerald. £16.99.
Cara Courage and Nicola Headlam, editors
Thanks to the Academic Archers community, the people of Ambridge and Borsetshire have by now been as extensively studied as Trobriand islanders and the Nuer. The idea of applying anthropological, sociological and social psychological methodologies to a fictional community in a radio serial may strike an outsider as pretentious or excessively niche, but in a post-post-post structuralist environment it merely reinforces the conviction that any community bracketed for intensive study is already a fictional entity.
Following on from Cara Courage’s and Nicola Headlam’s Custard, Culverts and Cake: Academics on life in ‘The Archers’ (2017), this new collection finds itself in the same bibliography column as Engels’s The Condition of the Working Class in England, with the emphasis falling on the deep social fault lines between the perennially dispossessed Grundys and the Aldridges and Archers. It is widely recognized that the titular family are now so relatively marginal to the main narrative that a change might seem to be called for – though the programme continues on the same principle as the posthumous Taggart – but it’s clear that social stratification in Ambridge is a matter of caste rather than class and increasingly subject to the encroachment of dark corporate interests.
Keith Flett sets the tone and nails his shamelessly partisan colours to the mast with “The Grundys and their Oppressors”. It is a theme that will be taken up more fully and positively in a second section of the anthology, headed “The Fall of the House of Aldridge, the Rise of the Oppressed Grundys?” (the question-mark being fair warning that the rise is illusory). The question is most thoroughly explored in Lalage Campbell’s “If You Have Security, Ed, That Is Everything: Deconstructing ‘security’ as a buffer against life’s challenges”.
The matriarchal underpinning of Ambridge and the “kin-keeping” role of Peggy and Jill are explored again by Headlam in “Two-In/One-Out”, an extension of her work in Gender, Sex And Gossip: Women in ‘The Archers’ (2019). Headlam also returns with “‘Feeding the Horses’: The dark side of construction hidden in plain sight in Ambridge”, an example of how unclunkingly Academic Archers manage to approach serious social issues, whether it be coercive control, infidelity or the role of gangmasters.
Unspoken through the first AA collection and the first half of this one is any recognition that The Archers is not just fictional but also radiophonic and entirely aural.…










